Lil' Wayne是一名年輕的美國(guó)南方說(shuō)唱歌手，最初成名是因?yàn)樗谡f(shuō)唱樂(lè)團(tuán)The Hot Boys的出色表現(xiàn)，作為樂(lè)團(tuán)里年齡最小的一名成員，Lil' Wayne也是個(gè)人生涯成績(jī)最好的樂(lè)團(tuán)成員之一。來(lái)自于美國(guó)路易斯安納州新奧爾良市的Lil' Wayne又名Lil Wheezy，從小成長(zhǎng)于充滿暴力和飽受貧困的街頭，早年輟學(xué)之后開(kāi)始正式從事說(shuō)唱音樂(lè)發(fā)展，經(jīng)常受到Cash Money唱片公司一些歌手的影響，不久之后由于好朋友Lil Slim的引薦，年少的Lil' Wayne也得以加入Cash Money唱片公司開(kāi)始自己的說(shuō)唱夢(mèng)想。 Charismatic Southern rapper Lil Wayne began his industry ascendance as one of the Hot Boys, a short-lived Cash Money Records all-star group, and after establishing himself as a successful solo artist, he grew to become a critical favorite, known especially for his entertainting underground mixtapes. Born Dwayne Michael Carter, Jr., on September 27, 1982, in New Orleans, LA, Lil Wayne grew up in the Hollygrove neighborhood of New Orleans 17th Ward. There he became acquainted with the Cash Money Records collective, which he eventually joined as a teenager. Get It How U Live! (1997), a Hot Boys album also featuring Juvenile, B.G., and Turk, marked Lil Waynes album debut; at age 18, he was the youngest group member. A second Hot Boys album, Guerrilla Warfare (1999), preceded Lil Waynes solo debut, Tha Block Is Hot (1999). The solo album went double platinum, peaking at number three on Billboards album chart and spawning a Top Ten hit with the title track. Lil Waynes second album, Lights Out (2000), failed to match the success of its predecessor, nor did 500 Degreez (2002), his third album. By this point in time, Lil Wayne was the only remaining Hot Boy on Cash Money — all other members had defected — and the future didnt seem promising for him or the label. Consequently, he purportedly scrapped work on his fourth album and instead released the recordings as an underground mixtape, Da Drought (2003), his first of many to follow. Tha Carter (2004) signaled a change in direction for Lil Wayne. The album itself wasnt a huge departure from Lil Waynes past three — its filled to the brim with tracks produced by Cash Money in-house producer Mannie Fresh, some of which could well have been left on the cutting room floor — yet it showcased a more measured and mature performance by the rapper, who seemed newly emboldened and sported a new look on the album cover (i.e., dreadlocks). The change in direction was commercial as well as musical, as Tha Carter featured Lil Waynes biggest hit in years, Go DJ; moreover, the album itself was a Top Five hit. Also in 2004, Lil Wayne began to be guest-featured regularly, starting with Destinys Childs Soldier, a Top Three hit. A pair of popular 2005 mixtapes, Dedication (with DJ Drama) and Suffix (DJ Khaled), further established Lil Wayne as a dexterous freestyle rapper. Plus, they helped garner additional interest in his music among listeners who werent part of the usual Cash Money constituency. By the end of the year, Lil Waynes reputation was such that Tha Carter, Vol. 2, his next Cash Money album, debuted at number two on Billboards album chart upon its December release, and did so without the benefit of a smash hit (Fireman stalled at number 32) or the productions of workhorse Mannie Fresh, who had left Cash Money. In the wake of Tha Carter, Vol. 2, which was a critical favorite as well as a strong seller, Lil Wayne continued to bolster his reputation and increase his fan base via the mixtape circuit. Of the myriad mixtapes bearing his name from 2006 onward, Dedication, Vol. 2 (DJ Drama, 2006) is a standout; like Tha Carter, Vol. 2, it was a critical favorite, making many end-of-year lists. The Carter, Vol. 2, Pt. 2: Like Father, Like Son (DJ Khaled, 2006) was notable, too, as some of its material was revived for Like Father, Like Son (2006), a major-label collaboration with Baby, aka Birdman, that spawned the hit Stuntin Like My Daddy. Lil Wayne also collaborated regularly with Dipset member Juelz Santana during this period.